Home >

The Modern Significance Of Ji Fu

2011/12/22 11:10:00 20

Modern Meaning Of Ji Fu

Ji Fu was the clothing of the Qing Dynasty, which was second only to the Royal costume. It was a higher ranking garment.

Wear this robe style dress.

Emperor

It's called the Dragon Robe, it's bright yellow.

The prince is golden, and the prince is second only to the prince.

status

He is a member of the royal family.

blue

Or stone green.


  



 


Embroidered flowers and stripes


Ji Fu is the ancient sacrifice.

Sacrificial rites are called Jiali.

"Zhou Li Chun Guan Si": "Wang Zhi Ji, worship the God of Haotian, then serve the great fur and crown, and worship the five emperors as well."

It also refers to formal dress.

"After Han Shu, an Di Ji": "emperor empress dowager Yu Chong de Dian, all officials are all dressed up."

Tang Han Yu's memorial to Mu Mu foreign language: "I belong to the west, and the king is against the Royal costume."

Ming Shen De Fu's "wild collection, science field two. Yushi Fang Bo Zhen": "Wang Fen boxing, Gu can not win, fall the crown of the belt, with the clothing and hovering on the ground."

"The dream of Red Mansions" thirteenth times: "Jia Jilin Jia Rong changed his suit next day and led it back."

The suit includes uniform clothing and Dragon Robe.


Wedding dress


In the hierarchical society of the rich and the poor, the standard of wedding dress is extremely relevant.

The imperial clan in the Tang Dynasty married a girl, and only seven hundred thousand dollars for a clove.

Later, at the same time, Tang Dezong came down to eleven counties, probably because the county master was worse than the princess or the princess. Tang Dezong said, "cages and jewelry, women's gifts can not be ignored, but the cost is too wide."

It should be damaged. "

Reduced to thirty thousand yuan, one caged flower crown ("Old Tang Dynasty de Zong Shun Zong Zi Zhuan").


At that time, how did the folk marry women's jewelry? In the same age, Wang Jianyou could compare the poem "loss of Chai and resentment": "the poor girl's copper hairpin is as precious as jade, and lost to find one (three days) cry."

Married women and makeup, wearing this hairpin like Phoenix.

Two cups of wine six new joy, my bride is suitable to attend the hall.

In the mirror, there is no loss of bun, but in the beginning, he hesitates on the bed.

But I can never find it.

A copper hairpin is the only wedding jewelry for the poor family.


Qing Dynasty imperial uniform


In the Qing Dynasty, the gown was the same as the Dragon gown. It was a long gown with a round collar, a pair of flats, a left and right sides, and a straight cuff.

According to the identity of the characters, the embroidery patterns are different.

Such as the wife of the lady of the town, the wife of the people's wife, the wife of the Fu state, and the wife from the princess to the wife of the eight wives, they all embroidered the flowers and the group was stone green.

This picture shows the eight flower embroidered gowns of the Qianlong stone embroidered embroidery in the Qing Dynasty.


Modern significance


It is the universal psychology of mankind to seek good fortune and avoid evil. Chinese are no exception.

Festivals, birthdays and marriages are auspicious. Famine, defeat and death are bad things.

China's ceremonies and laws attach great importance to auspicious things and wear fierce clothes.

This can prove that dress culture is closely related not only to material life but also to spiritual life.


Chinese people celebrate their traditional festivals, and dress well as far as they can.

The custom of the Southern Dynasty was recorded in the record of Jingchu age.

Meng Yuan old "Tokyo Meng Hua Lu", when Song Zhaojing celebrated the Lunar New Year Festival, all the lively sections were "decorated with colored pits, paving comb, pearl and jade, head and face, clothes heads, flowers, collar, boots and shoes" for the public to celebrate the festival.

Pang Yuanying's Wenchang miscellany says that from the Lunar New Year's day to the beginning of spring, women wear colorful silk made of Huasheng, and the home of the imperial palace is "carved with gold, decorated with pearls and jade or with gold and silver."


Tang Ruizong was born in two years. He held the Lantern Festival at Anfu gate in Changan on the fifteen, sixteen, and seventeen nights of the first month. "The maiden thousand, a corolla and a towel are all worth ten thousand dollars, and the costumes are all three hundred."

Even the "deep alleys", before and after the Lantern Festival, "skillful in making new makeup, competing for glory" ("Tokyo Meng Hua Lu").

In March, it was already on the waterfront, and it was also an ancient custom.


Wang Gong adults in the Western Jin Dynasty fought to the side of Luo Shui. "Men are Zhu Yu Yao Lu, while women are Jinqi and are very bad." ("Taiping Yulan" volume thirty "Xia Zhong Yu biography").

At that time, Zhang wrote a "Luo Fu", with special reference to "Gu Xin's clothing, which will become a waterfront".

The winter solstice of the Song Dynasty is also a great festival. "The capital is the most important festival. Although the poor people accumulate a loan in one year, they are more likely to make their new clothes."

Although the rich and poor are disparate, they are trying to show a bit of auspicious weather on their costumes.

  • Related reading

Colorful Sleeves Of Tu Women

Dress culture
|
2011/12/22 11:09:00
74

Etiquette, Clothing And Architecture Of The Han Nationality

Dress culture
|
2011/12/22 11:08:00
42

中草药之乡——广西壮族自治区隆林各族自治县服饰文化

Dress culture
|
2011/12/22 9:00:00
70

During The Yuan Dynasty, Cultural Diversity Mixed, Leading To Diversification Of Costumes.

Dress culture
|
2011/12/21 13:48:00
13

Chinese Ethnic Costumes And Tujia Women Wear More Clothes Without Collar.

Dress culture
|
2011/12/21 13:47:00
36
Read the next article

Yi Girl's Adult Ceremony: "Changing Skirt" Ceremony

In the large and small areas of Liangshan, the Yi girls have a mysterious "changing skirt" ceremony when they are adults. The Yi language is called "salad Luo", meaning that they take off their childhood skirts and wear adult skirts. Before the "salolo", the Yi girls wore red and white children's skirts, which were single braided and ear pierced lines.